I am teaming up with classical guitarist Brad Mahon to present an evening of music and stories for and about the guitar. We’re calling it Nylon and Steel – Exploring the Acoustic Guitar and will be doing two shows in Regina on June 13 and 14.
Performing on two similar, yet distinct, forms of the guitar (nylon string and steel string guitars), Brad and I will blend our contrasting musical backgrounds to explore the diverse range of music associated with this instrument.
Brad Mahon is a formally trained classical guitarist and the current Head of the Conservatory of Performing Arts at the University of Regina. He has been described as “an outstanding classical guitarist” (20th Century Guitar magazine, New York). I can vouch for that and add, “and a heck of a nice guy, to boot” (Bob Evans, Regina). Brad will be drawing material for the evening from a varied classical guitar repertoire.
I am … well, you know who I am … and as you may suspect, I’ll be coming at the evening from a somewhat more informal school of folk, country and blues music.
Bach to Beatles, Klassical to Kentucky, Around the World and a whole lot more. Musical chocolate and peanut butter. Come on out and have a taste.
This will all take place at two shows in Regina at Sawchyn Guitars on June 13 and 14. If you’ve been there before, you will know Sawchyn Guitars provides an intimate venue perfect for this sort of concert. If you didn’t know that, this is the perfect chance to come and find out for yourself!
But intimate also means seating is limited, so get your tickets early to avoid being afflicted with the dreaded Disappointment.
June 13 and 14
Sawchyn Guitars (2132 Dewdney Ave., Regina)
7:30 pm (doors open at 7)
Tickets: $20 – available at Sawchyn Guitars (306-522-6348)
Blackbird is one of Paul McCartney’s many little masterpieces. Sparse and efficient, like Yesterday, it is one of those “just right” moments The Beatles managed to hit so many times.
Over the past fifty years Blackbird’s guitar accompaniment has become one of a relatively small handful of influential guitar pieces – like Classical Gas, Stairway to Heaven, Windy and Warm and their ilk – that “everyone” seems to either be able to identify or has actually taken a stab at while learning to play guitar.
Interestingly, the inspiration for Blackbird’s guitar part was found in yet another well-known guitar piece, J.S. Bach’s Bouree in E minor. More recently, Sir Paul has explained how he and George used to play a bastardized version of Bouree as a party piece to impress people with how musically worldly they were.
As you can hear, and as Sir Paul acknowledges, they got it wrong – real wrong. But part of The Beatles’ genius was being able to take little seeds like that and turn them into brilliant music of their own. McCartney did just that in this case, using some of the fingering from their twisted version of Bouree as the seed for what became the guitar part for Blackbird.
With my penchant for arranging Beatles tunes this is one song I couldn’t ignore. Usually when arranging The Beatles for solo guitar it is an issue of compressing the full sound of a band down onto six strings. Given Blackbird features just a single guitar and voice, one might assume that made it much easier to arrange for solo guitar. Paradoxically, not so. But that is a story for another time.
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